<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-9856058.post115333356872647632..comments</id><updated>2008-12-09T18:54:37.396-05:00</updated><category term='Review Television'/><category term='Zurich Opera'/><category term='YouTube Singers'/><category term='Reader Favorites'/><category term='Sound Cloud'/><category term='Sopranos'/><category term='Joyce DiDonato'/><category term='Review Songs'/><category term='Opera is about Love'/><category term='Advice to Singers'/><category term='Appreciation'/><category term='Review Books'/><category term='About Staging'/><category term='London'/><category term='Baritones and Basses'/><category term='Comedy'/><category term='Mezzo-sopranos'/><category term='San Francisco Opera'/><category term='Advice to Composers'/><category term='Countertenors'/><category term='MyFavorites'/><category term='All Travel'/><category term='Modern Music'/><category term='All Interviews'/><category term='Review Movies'/><category term='Music and the Brain'/><category term='Review Musicals'/><category term='Technique'/><category term='Lawrence Brownlee'/><category term='Paris'/><category term='Renée Fleming'/><category term='San Francisco Bay Area'/><category term='Anna Netrebko'/><category term='About Singing'/><category term='Writing'/><category term='Juan Diego Florez'/><category term='Los Angeles Opera'/><category term='News'/><category term='Lists'/><category term='Review No Singing'/><category term='Washington'/><category term='Review Performance'/><category term='Italy'/><category term='Cecilia Bartoli'/><category term='Sacramento'/><category term='Review CD'/><category term='Tenors'/><category term='Vivica Genaux'/><category term='Topic Advice'/><category term='YouTube'/><category term='Sexiest'/><category term='Art'/><category term='Santa Fe Opera'/><category term='Review DVD / Video'/><category term='About Phrasing'/><category term='Review All Opera'/><category term='Rolando Villazon'/><category term='Review Simulcasts'/><category term='Metropolitan Opera'/><category term='Gertrude Stein'/><category term='Jonas Kaufmann'/><category term='Pop Music'/><category term='Blog'/><category term='Recommended'/><category term='YouTube Classic Singers'/><category term='American Music'/><category term='Angela Gheorghiu'/><title type='text'>Comments on Kinderkuchen for the FBI: Relevance</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://blog.onopera.com/feeds/115333356872647632/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9856058/115333356872647632/comments/default'/><link rel='alternate' type='text/html' href='http://blog.onopera.com/2006/07/relevance.html'/><author><name>Dr.B</name><uri>http://www.blogger.com/profile/02298893523780056481</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-9856058.post-115340474254065018</id><published>2006-07-20T10:12:00.000-04:00</published><updated>2006-07-20T10:12:00.000-04:00</updated><title type='text'>I truly enjoyed reading this post, and your point ...</title><content type='html'>I truly enjoyed reading this post, and your point is an excellent one. Relevance is a vastly overrated commodity in the arts, but especially with opera. Censorship was not the only reason that composers like Donizetti, Bellini and Verdi stayed away from contemporary themes. Setting one's story in the present day, whenever that might be, forever ties it to the actions and reactions of its time. The ability of great opera to be timeless (in the truest sense of the word) is one of its best attributes.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9856058/115333356872647632/comments/default/115340474254065018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9856058/115333356872647632/comments/default/115340474254065018'/><link rel='alternate' type='text/html' href='http://blog.onopera.com/2006/07/relevance.html?showComment=1153404720000#c115340474254065018' title=''/><author><name>Paul</name><uri>http://www.blogger.com/profile/05183451103546048613</uri><email>noreply@blogger.com</email><gd:image xmlns:gd='http://schemas.google.com/g/2005' rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://blog.onopera.com/2006/07/relevance.html' ref='tag:blogger.com,1999:blog-9856058.post-115333356872647632' source='http://www.blogger.com/feeds/9856058/posts/default/115333356872647632' type='text/html'/><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='blogger.itemClass' value='pid-1542821304'/></entry></feed>
