It was Alex Ross (09/26/05) who called Rolando Villazon "Domingo's heir apparent in the Italian tenor repertory...." That's where I read it. Why would he want to curse him in this way? I went to the New Yorker website and printed out a few of Ross' columns so I could get a feeling for his writing, and right away I'm annoyed. Villazon is a real lyric tenor with a dark color. Domingo is a pushed up baritone. You leave my boy alone!!
I liked very much the column (06/06/05) about the effect of recordings on classical music. This is a topic to be considered. Right away I start to think about musack. I'm sure there is a recording of every Baroque concerto ever written, all done in that lifeless, cookie-cutter style that is the essence of anti-music. His comments are good. He puts in a lot of facts.
Barihunk trio in Mohammed Fairouz's The New Prince
12 hours ago