I'm starting a series (if I am undisciplined in the pursuit of this series, it will just have to be forgiven) about singers who did not make the 14, and first is Roberto Alagna.
Roberto is really strictly an opera singer and never ventures out into other repertoire. He is that rare thing, a French tenor very much immersed in the Italian style. His career is enjoying a resurgence because he appears to be exactly what Peter Gelb is looking for as his leading man for French operas such as Carmen and Romeo et Juliette.
I adore Roberto and have chosen this example of him because it is completely over the top. If you occasionally feel constricted by the passionate but nevertheless controlled Germanness of Herr Kaufmann, then Roberto the perfect antidote.
He looks good in closeups but falls out of the top group because he occasionally sings out of tune. We are torn. More discipline will mean less passion. Oh dear.
Teatro Real de Madrid 2019-20 Review: La Traviata
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