Showing posts with label Benjamin. Show all posts
Showing posts with label Benjamin. Show all posts

Saturday, May 26, 2018

George Benjamin's Lessons in Love and Violence

?, Mortimer, son, Isabel, daughter, ?

George Benjamin | Conductor, Composer
Martin Crimp | Libretto
Katie Mitchell | Stage director

Stéphane Degout: King
Barbara Hannigan: Isabel, King's wife
Gyula Orendt: Gaveston, King's lover/Stranger
Peter Hoare: Mortimer, a courtier
Samuel Boden: Boy/Young King
Jennifer France: Witness 1/Singer 1/Woman 1
Krisztina Szabó: Witness 2/Singer 2/Woman 2
Andri Björn Robertsson: Witness 3/Madman

This is a free live stream from the Royal Opera House in London of George Benjamin's Lessons in Love and Violence.  It's an historical plot about King Edward II (25 April 1284 – 21 September 1327) who was deposed in a manner similar to what is shown here.

Monday, March 23, 2015

Written on Skin from ROH

 angels, humans

Conductor:   George Benjamin.
Production:   Katie Mitchell

Agnès:              Barbara Hannigan (soprano)
Protector:         Christopher Purves (bass-baritone)
First Angel/Boy:      Bejun Mehta (countertenor)
Second Angel/Marie:  Victoria Simmonds (mezzo-soprano)
Third Angel/John:     Allan Clayton (tenor)

Part I of the Barbara Hannigan film festival is Written on Skin, an opera by George Benjamin based on a tale from the Decameron by Boccaccio.  It was recorded at the Royal Opera Covent Garden March, 2013.  A constant presence in the story are angels from the 21st century.

I'm sorry.  This can't be Boccaccio.   It isn't about tattoos either.  It is instead the flaw in theology.  God writes a story on our bodies and we are forced to live it.  I am sitting here by the screen shouting "Kill him."  That certainly never happened before.  She doesn't.  She never does, it seems.  We are what he has written us to be.

She shouts that the taste will never leave her and a glass harmonica plays.  Even Lucia's glass harmonica is not so frightening and strange.

It doesn't seem suitable to criticize this.  It is abstract, profound, much more than I imagined it could be.  See it for yourself.  I recommend the DVD so you can follow along with the text.

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