Tuesday, March 31, 2020
Il Barbiere di Siviglia
Count Almaviva....Juan Diego Flórez
Dr. Bartolo.............John Del Carlo
Don Basilio.............John Relyea
The Met is streaming Rossini's Il Barbiere di Siviglia that originally played in 2007 while I was driving across the country. I don't seem to have had much enthusiasm for it, but seeing it now I like it a lot. This is such a marvelous cast. Every one is among the best in their class. At this point in my life Mattei may be my favorite Figaro. He plays the role with great vigor. There is a strange, ghost-like man who wanders the stage. The main trio are young and lively, great singers, actors, musicians.
This opera was originally called Almaviva and ended with the big aria usually heard as the finale to La Cenerantola, here sung by the tenor. Later Rossini removed it from this opera and assigned it to Angiolina, a coloratura mezzo. In modern times it is only rarely heard in Il Barbiere di Siviglia, and only when a company wishes to particularly honor a tenor. Juan Diego's performance is excellent.
I find this is highly recommended.
Monday, March 30, 2020
Die Meistersinger von Nürnberg
Hans Sachs..............Michael Volle
Walther von Stolzing....Johan Botha
Beckmesser..............Johannes Martin Kränzle
When the Metropolitan Opera presented Wagner's Die Meistersinger von Nürnberg in December of 2014, I must have been in Ohio for Christmas. The Met is streaming it today, and I realize this is my first time seeing it. The Sachs was supposed to be Bryn Terfel, I think. I generally love this opera, but I'm afraid this version is not working for me. Paul Appleby's David is excellent, but so far he's my favorite.
[I haven't been feeling well.]
Tuesday, March 24, 2020
Terrence McNally (November 3, 1938 – March 24, 2020)
American playwright Terrence McNally died today from the corona virus. In the opera world he is best known as the librettist for three operas by Jake Heggie: Dead Man Walking (2000), Three Decembers (2008), and Great Scott (2015). Of these I have seen only Dead Man Walking. I was also present at the world premier in San Francisco before I started blogging.
He was most famous for plays and musicals and in 2019 won a lifetime achievement Tony. Of all his works I have also seen Master Class in New York, a play about Maria Callas. He loved the arts.
Friday, March 20, 2020
Korngold's Das Wunder der Heliane
Stage director: Christof Loy
Heliane: Sara Jakubiak
The Ruler, her husband: Josef Wagner
The Stranger: Brian Jagde
The Messenger: Okka Von der Damerau
The Doorman: Derek Welton
The Blind Judge: Burkhard Ulrich
The Young Man: Gideon Poppe
From Deutsche Oper Berlin from 2018 on Medici.tv we have Korngold's Das Wunder der Heliane, 1927. I am watching it because Lotte Lehmann said Heliane was her favorite role. It is the outer extreme of post Romanticism.
In Act I there are three characters: The Stranger, the Ruler and his wife Heliane. She is the only one with an actual name. The Ruler is pissed because his wife doesn't love him. So he kills anyone who seems happy, including The Stranger who wanders into town and cheers people up. While he is in jail awaiting his execution, Heliane comes in to comfort him. She announces herself as the Queen. This is one of the wildest scenes in opera. At The Stranger's request she first takes down her hair, then takes off her shoes, and finally takes off everything else. Is this part of comforting? So did Lotte like the nudity? Husband comes back and things go from bad to worse. The music is very intense.
In Act II Heliane is tried for being unfaithful to her husband. The blind Judge enters, and both The Ruler and Heliane call him Father. He speaks to Heliane as though she were a child, so I presume that he is her father. She testifies in a long amazing aria "Ich ging zu ihm."
The Stranger comes into the courtroom and asks to be left alone for a moment with Heliane. The King and the Judge allow this. Our Stranger is very persuasive and gets Heliane to kiss him "for the first and last time." She does, and he stabs himself and dies.
The chorus enters complaining that The Stranger has been taken from them. She tells her husband she is pure and he decides that if she is pure she will bring The Stranger back to life. The act ends with her swearing that she will.
The ending in Act III is complex. The Stranger rises from the dead, but this only enrages the King who stabs his wife. You should know it has a happy ending. What is one to make of such a thing? They played it very low key, but the music is large and soaring. I'm glad I took the time to see it.
Saturday, March 14, 2020
Saturday, March 07, 2020
Wednesday, March 04, 2020
We had a preview of Kate Lindsey's athleticism in San Francisco in 2015 when she played Cherubino in Nozze di Figaro and turned cartwheels on stage.