I have an identity problem. On the one hand I write about the international world of opera, or at least the parts that reach me. On the other I write about music in Sacramento.
I have started to wonder if this might be completely bogus. We are asked to believe that Alagna blew his high note in Aida and then walked off the production because of something like off track betting. We would believe this if he didn't go off pitch all those other times.
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