Conductor...............James Levine
Production..............August Everding
Lohengrin..........Peter Hofmann
Elsa....................Eva Marton
Ortrud................Leonie Rysanek
Telramund..........Leif Roar
King Heinrich....John Macurdy
Herald.................Anthony Raffell
This nightly stream from the Metropolitan Opera is Wagner's Lohengrin from 1985. This Lohengrin is not pretty, unless you count Peter Hofmann, who is really quite gorgeous. But prettiness isn't everything. I don't think I've seen this version before.
If you know only his recent outings, you may have forgotten or never have known how great James Levine was in his prime. Musically this is a triumph.
What can one say of the production? The sets are consistently dark with only occasional dark brown to contrast with the black. The men wear dark military outfits, but are surprised when Lohengrin says he will lead them into battle. Against whom is not said. Only Lohengrin and Elsa, sung beautifully if calmly by Eva Marton, wear relatively light colors. Lohengrin is always dressed in white. For my requirement that it explain the plot, I find it very successful.
The flashiest character in the opera is Ortrud who is as flashy as can be imagined played by Leonie Rysanek. She is intense.
Lohengrin himself is kind of a rat. He marries her knowing full well that the longest he will be allowed to stay with her is one year even if she never asks who he is. He doesn't mention this until after she asks the forbidden question. His excuse is that you can have a lot of fun in a year. Ortrud admits that it was she who transformed Heinrich into a swan. Lohengrin's last deed is to change him back. I like the careful detail explaining the plot.
Hofmann retired from opera not long after this, but he sounds ok to me. Rysanek sort of upstages Marton.
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