Monday, August 02, 2021

Katya Kabanova at West Edge

 


Jonathan Khuner - Conductor / Music Director 
Indre Viskontas - Production Director 

Carrie Hennessey - Katya
Kristin Clayton - Kabanicha, mother in law
Christopher Oglesby - Boris, boy friend
Alex Boyer - Tichon, Katya's husband
Chad Somers - Kudrjaš
Sarah Coit - Varvara, Tichon's sister
Philip Skinner - Dikój, Boris's uncle 

Leoš Janáček's Káťa Kabanová (1921) played at the Bruns Amphitheater in the East Bay hills as part of the season for West Edge Opera.  It's sunny and hot when the sun is shining on you, and cold when it isn't.  You may rent yourself a blanket.  Luckily I brought a hat and a jacket.  This is normally the venue for what is lovingly called Cal Shakes, meaning UC Shakespeare, I assume.  Adjustments were made to accommodate the orchestra who played from under the stage.  In the current era where performing before an audience is difficult, I suppose they were lucky to get it.  I felt that the heat/cold situation was extreme and the acoustics, particularly for the singers, were bad.

I have seen this opera before at the San Francisco Opera before I began blogging.  I remember only the part where Katya throws herself into the Volga.  I felt that this staging introduced the characters and their relationships more successfully.  The stage didn't become cluttered with irrelevant people, because the tiny chorus seemed always to be offstage.  Everyone dresses in modern clothing.  The singers for Tichon and Boris look similar, but were clearly distinguished through their costumes.

This opera would probably best be described as verismo, concerned with the hum drum problems of ordinary people.  Katya and Tichon love one another, but then there is the boss/mother in law who expects to be always the center of attention.  She runs a business and Tichon works for her.  Katya seems to want to be a good girl, and when it transpires that she cannot manage this, she wants to be punished.  She goes around asking everyone to accommodate this desire, and when they don't, she kills herself.

I am a fan of Carrie Hennessey whose character pretty much carries this opera.  (Pun?)  I enjoy her work, and felt that the cast did a fine job.  This is not in line to become a favorite opera.


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