This television presentation is selected from the entire concert for the Richard Tucker Gala which took place on November 11, 2012. We saw:
Gerald Finley, baritone, "Sibilar l'angui d'Aletto", Handel Rinaldo Olga Borodina, mezzo-soprano, "Mon cœur s'ouvre à ta voix", Saint-Saëns Samson and Delilah Ailyn Pérez, lyric soprano, Gavotte and Scene, Massenet Manon Ildar Abdrazakov, bass, and Quinn Kelsey, baritone, Attila and Ezio's duet, Verdi Attila Jamie Barton, mezzo-soprano, "O mon Fernand", Donizetti La Favorite. Erwin Schrott, bass-baritone, "Ave, Signor", Boito Mefistofele Giuseppe Filianoti and ensemble, Giuletta Act, Offenbach Tales of Hoffmann Ailyn Pérez and Stephen Costello, tenor, cherry duet, Mascagni L'amico Fritz Dmitri Hvorostovsky, baritone, "O du mein holder Abendstern", Wagner Tannhaeuser Ildar Abdrazakov, "La calunnia", Rossini, Il barbiere di Siviglia Liudmyla Monastyrska, dramatic soprano, "Nel di della vittoria... Vieni, t'affretta", Verdi Macbeth Marcello Giordani, tenor, "Recitar! ... Vesti la giubba", LeoncavalloPagliacci Ailyn Pérez and Stephen Costello,tenor, Act II Finale, Verdi La Traviata Ailyn Pérez and Stephen Costello, tenor, "Libbiamo", Verdi La Traviata
Chorus, "Va Pensiero", Verdi Nabucco
Some of the omitted numbers can be seen as shorts on this website.
As is usual with the Richard Tucker Society, there was a strong emphasis on heavy repertoire and heavy singing. To carry the flame of Richard Tucker is to carry the flame of the old style of opera of his era. Borodina and Barton are very heavy for the modern mezzo Fach. Barton gave a barn burning performance that received the first shouts of the evening.
Finley is the lightest of the basses and baritones, who are quite well represented. And Liudmyla Monastyrska is about the heaviest soprano out there today. She emphasizes Lady Macbeth and Abigaille, indeed sang the extremely heavy letter aria from Macbeth.
Ailyn Pérez is the lightest of the singers on the list above. She overcomes all with her lovely tone and wonderful charm. I wish her, indeed expect from her, good things.
Between the musical numbers are short interviews with Audra McDonald and clips of various types. The clips with Ailyn Pérez are the most interesting. Before her first aria she is shown marking in a rehearsal. Marking involves singing very lightly in a kind of imitation of real singing in order to practice timing and pronunciation with the other participants in the rehearsal. I'm trying to think when I have seen a film of someone marking. My own voice was not very loud, so the conductors would ask, "Markieren Sie sich?" Sigh. It is common and normal to rehearse in this half voice style of singing which is easier on the voice. It is unusual but not unknown for a singer to mark in a rehearsal that has an audience. The audience usually gets annoyed.
The other clip shows Ailyn singing with her dog, not the same clip as the one I posted. What makes this interesting is her husband Stephen Costello sitting patiently next to them waiting for this embarrassing moment to pass.
P.S. More things. It's over for Marcello Giordani.
Audra says "Someday you
will say 'I first saw Ailyn Perez here.'" Sorry. I will say "I first
saw Ailyn Perez at the Santa Fe Opera." Ailyn was most impressive in the excerpt from La Traviata. This opera will feature her next season in San Francisco.