My current fascination is the fast rising mezzo-soprano Isabel Leonard. This photo is from the Canadian Opera Company production of La Clemenza di Tito. The emotional variety just of the photos is remarkable.
But remember I recently called her "adorable" in The Tempest.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVZW0bErdOfdaYIG8tTsWWfFwIMLUZYclnjbhRquGDNiN17CbSoRnBR3mO_LSliSx9w0rO4ZTJ4Ahhi2vonFD24KtlOhI8SCnH18HSeVWMBcTbxSazJV_1U-X_FwE7JVSKsSLI/s640/temp_3232a-l-jpg.jpg)
But that term would not have applied at all to the intensely somber performance she gave in Griselda. It's hard to think it's the same person.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0oA7Y5KGXDXe3TX-llxdjHvxbG4jT1wbiHMxytluhnQLoV_4LgN02wtTMLTtTA-x038PF8aWuDAwRORPB_Ul5KR5iXAASvwFahBlEHQqijGm7bcSPMUokgQiDsCQ0PU29nKg5/s640/GRISELDA-FOURSOME.jpg)
I'll have to go see her in something.
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