- Manon in San Francisco on Thursday
- Berlin to Broadway with Kurt Weill at Sac State on Friday
- The Exterminating Angel on Saturday morning
- Sacramento Philharmonic on Saturday night
I reviewed Manon. It's hard to direct opera because there are usually so many people on the stage. It needs to be easy to pick out the main characters and to show how they relate to one another.
I ended up with ambiguity in my reaction to The Exterminating Angel. I think the content is fascinating. An HD performance is directed on two levels: the listed stage director and the camera director. The first might well have shown who each character is and who they came in with while the camera director might have cut too many people out of the picture to leave much meaning.
I liked the idea of it more than the reality. I did not like the super high notes--highest ever heard on the stage of the Metropolitan. Maybe you never heard it because it's hideous. Get rid of that and I'll think it over. The ending I liked. This gives an idea.
The Sacramento Philharmonic and Opera presented a concert of Gioachino Rossini and Wolfgang Amadeus Mozart called "A Night at the Opera." There was singing by Alyssa Martin, mezzo soprano, and Steven LaBrie, baritone. They sang bits from Barber of Seville, Marriage of Figaro and Don Giovanni.
Rossini was represented by an arrangement by Benjamin Britten called Soirées musicales. Mozart was represented by the Prague Symphony. The philharmonic is playing well now. The guest conductor was Sameer Patel. I would have preferred more singing.