I remember distinctly saying I would never give advice to JD whom I saw in recital the other night. Well, I lied.
This is sort of weird advice. It's sort of recital as theater rather than recital as singing. I liked very much the musical interpretations of the songs, and I definitely don't think--deeply as I love her--that everyone has to turn into Cecilia every time they perform, as one reviewer declared.
It is, however, important to communicate, both to yourself and to the audience....
here is the start of the song....
here is a transition to the second section....
now I am at the emotional climax...
and this, ahem, THIS is the end.
I told you it would be weird. Way too many songs got over without anyone being able to tell. Give us a signal. Relax something.
This reminds me of the conducting class exercise where we were to get everyone to come in together without actually moving. This turned out to be easy. One changes the expression on ones face.
Tell us every second of the way what we are expected to do without actually doing anything. Tell us that the song has finished, but we are not to clap. Tell us exactly when to start clapping. Remember, you are in charge.
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2 comments:
I agree with your assessment that it's the duty of the singer to let the audience know when a piece has come to an end, as opposed to a denouement (if I'm using that term correctly). This is especially vital when presenting an unfamiliar piece.
It happened over and over.
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