I really enjoyed seeing Angela Gheorghiu in La Rondine. For me I can't imagine why a company would stage La Rondine without someone like Angela to do it. If they had fired her for missing rehearsals, I would have been forced to throw a tantrum, something I should just not do.
I heard a lot of people say that she was flat, and I listened carefully to see if this was true. Angela sings Puccini in a very broad way, and her scooping technique is quite broad. I discussed this ad nauseum with my friends. It really is amazing how they put up with me. I talked about scooping and explained how it is only necessary to come to the note eventually. Of the 100 pitches she hits on her way up to the note, exactly which one is supposed to be flat? Eventually she gets there. It is only not permitted to overshoot. It is completely not permitted to lose track of the note you were aiming for and go past it. Angela is an expert scooper. See tools.
The collapsing dollar is putting a crimp in my travel plans. There's so much going on in Europe now that I very much want to travel there. I would go and stay if that were possible.
Over the years I have written another book. It's a study guide--everything you should memorize for your doctoral orals. Unless you're a musicologist in which case you must memorize much more.
It is an idea I very much admired. Each chronological period represents a relatively coherent musical style. The idea begins to fall apart in the twentieth century when there are too many styles to keep track of. You have to understand the concept to get anything out of it.
Artist Of The Week: Rihab Chaieb
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