Every year I rank the simulcasts from the Metropolitan Opera.
This year, following my own personal tradition, I missed only Puccini's Madama Butterfly. The buzz for this was quite good, but I cannot rank it. First I will characterize each opera, and then I will rank them.
Verdi's Otello with Aleksandrs Antonenko was far from being my best for this opera. It didn't top the previous Met simulcast with Botha and Fleming. Antonenko sings the role well, but his portrayal begins hard and unpleasant, dulling the effect of Iago's influence.
Wagner's Tannhäuser with Johan Botha, Eva-Maria Westbroek and Peter Mattei was a wonderful experience. Westbroek was especially affecting.
Berg's Lulu was up to the very high Met standards but avoided originality in interpretation in favor of a production that focused strictly on visual effects. The musical standards were impressive, but best Lulu award for the year must go to West Edge Opera.
Bizet's The Pearl Fisherswith Matthew
Polenzani and Mariusz Kwiecien created a male duo made in heaven. This was a truly excellent Pearl Fishers which led one to wonder why we don't see it more often.
Puccini's Turandot with Nina Stemme was uneven across the cast with the least interesting Calaf I may ever have heard. Besides, I hated Nina's makeup. Puccini's Manon Lescaut with Kristine Opolais and Roberto Alagna was lovely. After seeing versions of this with Kristine and Jonas Kaufmann from London and Munich, it was good to hear Roberto's very different energy. The production was iffy at best, but Fabio Luisi was the best.