Monday, August 20, 2018
Poppea from Salzburg
William Christie (conductor) with his ensemble Les Arts Florissants
Jan Lauwers (stage director)
Sonya Yoncheva | Soprano (Poppea)
Kate Lindsey | Mezzo-soprano (Nerone)
Stéphanie d'Oustrac | Mezzo-soprano (Ottavia)
Carlo Vistoli | Countertenor (Ottone)
Renato Dolcini | Baritone (Seneca)
Ana Quintans | Soprano (Virtù / Drusilla)
Marcel Beekman | Tenor (Nutrice / Famigliare I)
Dominique Visse | Countertenor (Arnalta, nurse)
Lea Desandre | Mezzo-soprano (Amore / Valletto)
Tamara Banješević | Soprano (Fortuna / Damigella)
Claire Debono | Soprano (Pallade / Venere)
Monteverdi's L'Incoronazione di Poppea (1643) comes early in the era of Venetian opera, which included women, normal men and castrati in the cast. It was commercial theater, so the casts were kept small to save money. I guess 11 people were all, a much smaller bunch than our cast. They handled this by casting everyone in many roles. I deliberately stopped the list at 11. I am here to see the first three ladies: Sonya Yoncheva, Kate Lindsey and Stéphanie d'Oustrac, all people I like. Our girls sang pretty much in their standard operatic voices. I have only seen Yoncheva in Verdi and Puccini, so I was surprised this worked so well.
This opens with a prologue by the gods Virtue, Fortune and Love arguing who is more important. Part of the orchestra is on the stage in this scene. Then they move to in front, though the space could hardly be called a pit. Throughout the entire opera the stage is cluttered with dancers in unidentifiable costumes. They seem intended to represent something, but we are not told what.
There is partial nudity and foreplay, which I consider progress in the subject of sex in opera. Yoncheva can do anything, but by the end of the opera the music began to sound repetitive and uninteresting. 3 hours is too long. It did not lure me from the version with Alice Coote and Danielle de Niese. There are lots of DVDs to choose from, and I have not seen all of them.