The most wondrous thing in Il Viaggio a Reims is undoubtedly the aria where the Countess Folleville first mourns the loss of all her luggage (what modern person cannot sympathize?) and then celebrates in fabulous coloratura the recovery of her hat. It is worth reviving the opera for this bit alone.
I was completely unfair. Professor Gossett celebrates the success of some recent modernized revivals with genuine enthusiasm. And now I have truly reached the end. I was told in Italy not to say "Addio." Ciao!
Metropolitan Opera 2018-19 Review: Otello
6 hours ago