I like more and more Nicholas McGegan and his Philharmonia Baroque orchestra. This picture is pretty old, but I wanted one of him conducting, in case I wanted to enter him in the sexiest conductors contest
. He is associated with the Philharmonia Chorale, headed by Bruce Lamott, and together they have produced Haydn's The Creation.
Remember when I said I wished I was listening to McGegan? No, I suppose I'm the only one who remembers everything I say. I was right. This was terrific--lively and fun.
With three excellent soloists: Dominique Labelle as the soprano Gabriel, and later as Eve, tenor Thomas Cooley as Uriel, and baritone Philip Cutlip, previously seen at Glimmerglass, as Raphael and Adam. These are high quality professional singers, people that the SF Symphony could also afford to hire. [Sorry. I'm still in shock over the pathetic B minor mass.]
At this point in his life, in his sixties and retired from Esterhazy, Haydn spent time in London, absorbed the English taste for oratorio and apparently also the English feeling for singers. Or is that McGegan's taste I'm hearing?
And the chorus, a mere three not very long rows of singers, managed a full and beautiful sound.
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