Friday, December 15, 2017

2017 Opera Year in Review KK Opera Awards

It's time for the 2017 KK Opera Awards.

Jonas Kaufmann returned to opera in 2017, and while he didn't appear anywhere near me, I managed to see him in three operas:  Giordano's Andrea Chénier live streamed from the Bayerische Staatsoper, a delayed movie broadcast of Verdi's Otello from London's Royal Opera House, and the French version of Verdi's Don Carlos presented at the Opera Bastille in Paris.  These will show up below in their respective categories.

New operas for me in 2017 were
That's 14 new operas, one more than last year.  Six were live, one was an HD simulcast, one was from PBS, two were from YouTube, Oberon was a live stream, etc.  I'm pretty aggressive in finding things that interest me.  It's important that one of these operas is by Rameau who continues to arouse my imagination.   Girls of the Golden West is the newest.  Artaserse by Leonardo Vinci and Theodora by Handel, viewed for their productions, were both performed a few years earlier and are not eligible for awards for this year.  I feel I still haven't seen Oberon.

The performance I most wish I had seen is Thaïs from the Met starring Ailyn Pérez and Gerald Finley.  The audio was wonderful, but an HD would have been even better.

  • BEST NEW (to me) OPERA AWARD  I was pretty fuddy duddy here since I seem to have liked the older operas better.  I can only award to performances that took place this year, so the candidates are:  Le Temple de la Gloire by Rameau, The Chastity Tree by Vicente Martín y Soler, Autumn Sonata by Sebastian Fagerlund, The Exterminating Angel by Thomas Adès, and Girls of the Golden West by Adams.  I seem not to be able to forgive Adès for the screeching sopranos. The winner is Le Temple de la Gloire by Rameau for the beauty of its music and its theatrical concept.  

  • BEST ROMANTIC OPERA NOT VERDI OR WAGNER AWARD  Neither of the two Wagner operas I saw merited an award.  The candidates are  Gounod's Roméo et Juliette from the Met, Dvorak's Rusalka from the Met, Tchaikovsky's Eugene Onegin from the Met, Carmen from Aix-en-Provence, Weber's Oberon from Munich, Thomas's Hamlet from West Edge, and Massenet's Manon from San Francisco.  This was the better of Netrebko's Eugene Onegin.   Roméo et Juliette was extremely sexy.  I enjoyed several of these but award to ManonThe drabness of the sets didn't really suit this opera, but the acting and musical elements were great.  

  • BEST VERISMO OPERA AWARD  The candidates are La Bohème from San Francisco, Turandot from San Francisco, Giordano's Andrea Chénier from Munich, and Giordano's Andrea Chénier from La Scala Milan.  The Munich Giordano with Jonas Kaufmann and Anja Harteros was absolutely wonderful, a complete triumph.  Milan was a close second.

  • BEST RICHARD STRAUSS AWARD  The candidates are Der Rosenkavalier from the Met and Elektra from San Francisco with Christine Goerke.  Both were wonderful, but Der Rosenkavalier was for the ages.

  • BEST MODERN OPERA AWARD  The candidates are Bel Canto by Jimmy López, Berg's Wozzeck with a production that may come to the Met soon, Autumn Sonata by Sebastian Fagerlund, Flight  by Jonathan Dove, La Voix humaine by Poulenc, The Exterminating Angel by Thomas Adès and Girls of the Golden West by John Adams..   The first three are fairly subdued while The Exterminating Angel was quite intense.  The pickings were pretty slim, perhaps too slim to justify an award.  I've decided to come out of left field and award to Autumn Sonata.  Opera used to be like this.  Life used to be like this.

  • BEST TRADITIONAL STAGING AWARD  I award to Giordano's Andrea Chénier from La Scala Milan.  This was outstanding, though a bit dark at times.


  • BEST TRANSFORMATION OF AN OPERA INTO SOMETHING COMPLETELY DIFFERENT  The candidates are Carmen from Aix-en-Provence, and Oberon by Carl Maria von Weber from Munich, both of which changed traditional opera plots into condemnations of psychoanalysis, and both of which rewrote the spoken dialog.  Or something.  Who can be sure?  The winner is Carmen.  You knew that.
  • BEST PERFORMANCE BY A SOPRANO  Christine Goerke in Elektra
  • BEST PERFORMANCE BY A MEZZO  Elīna Garanča in Der Rosenkavalier
  • BEST PERFORMANCE BY A TENOR  Vittorio Grigolo in Roméo et Juliette
  • BEST PERFORMANCE BY A BARITONE  Quinn Kelsey in Rigoletto.
  • BEST OPERA OF THE YEAR  This has to go to Der Rosenkavalier.

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